- #Best audio interface for mac 2015 portable
- #Best audio interface for mac 2015 pro
- #Best audio interface for mac 2015 software
- #Best audio interface for mac 2015 Pc
- #Best audio interface for mac 2015 plus
A singer/songwriter on a budget will likely find the Steinberg UR12, with its one mic input and another Hi-Z guitar input, to be a great option that'll suit their needs. The best of these take their power over the same USB connections they use to send their audio to your computer, so you won't need to hunt for an outlet or be tethered to a certain spot for your setup.įrom basement producers to touring bands, all sorts of musicians and sound techs have different requirements when they go out in search of an audio interface.
#Best audio interface for mac 2015 portable
There are also portable options for use in the field, so users can tape interviews or record performances in small spaces like coffee houses. Its 24-bit audio is certainly high-quality, but it's bested by the 32-bit offering coming from Steinberg Audio UR816C 16x16, which would have risen higher in our ranks if it had segmented LED metering that could show you where your levels were at as you get ready to record.
#Best audio interface for mac 2015 software
The Focusrite Scarlett 18i20 remains one of the most reliable offerings out there, especially for producers looking to integrate with software and plug-ins simultaneously. That model is the only offering on our list with actual faders, though, as we have another list dedicated to USB mixers. It's also ideal for taking phone calls and not losing any quality, as it has a direct phone input. For example, a newcomer to our ranking, the Rode Rodecaster Pro, might be the best USB mixer for podcasting, as it has a set of programmable effects pads that you can load up with things like intros, outros, and advertisements. UA tells CDM that they did this in order to focus on Windows performance on the USB model, and Mac performance on the Thunderbolt model, rather than commit extra resources to making them cross-platform.Depending on whether you're using an interface for podcasts, music, or something else entirely, you're going to find different models will be more suitable to your needs than others. And that means you should take a hard look at some other high-end interfaces: RME’s, for instance, are cross-platform.
#Best audio interface for mac 2015 Pc
I had hoped the Apollo Twin USB would be a way to shuttle a mobile interface between machines – for instance, it’s great to go the PC route for a desktop computer and then plug into a MacBook on the road. Now, the bad news: the USB version works only on Windows.
#Best audio interface for mac 2015 pro
The UAD plug-ins as always work for various hosts, including Pro Tools – you get VST, RTAS, and AAX 64 on Windows. “Legacy” as these may be, they’re good stuff – though if you really want to use the UA platform, be prepared for a not-insignificant investment in more plug-ins, even with various bundles.
#Best audio interface for mac 2015 plus
To me, this is what moves the needle from “kind of annoying to need a DSP platform to add effects” to “oh, that’s what hardware DSP is for.”Īs with the Mac edition, you get some plug-ins to get you started – legacy versions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, plus Softube Amp Room Essentials, 610-B. That means for singers and instrumentalists the ability to use the Apollo Twin as a creative studio tool or even onstage, adding compressors, EQs, preamp and guitar amp models, and tape simulations while you play, with sub-2ms latency. The price tag is hefty by audio interface standards, but this is a high-end interface with excellent pre’s that also runs DSP for signal processing.Īnd that’s especially useful on the Apollo Twin, in that you can track in real-time through UAD’s plug-ins. For that, you get two channels of mic/line inputs, one of which is a Hi-Z instrument in, and six channels of outs (monitor, headphone, line 3-4), plus ADAT and S/PDIF ins. The DUO gives you the DSP horsepower you need, and the whole package has an estimated street of US$899. You need USB3, Windows 7 or 8.1 or later.
The Apollo Twin USB DUO works over USB instead. The Apollo Twin is a high-performance box, but it demands Thunderbolt – and it’s OS X only. And it runs all UAD’s top-notch plugins, too, opening up a window to a lot of analog emulation. As an audio interface, it’s just one of the better pieces of gear out there (in terms of fidelity and reliability). If you’re a Windows user who’s been jealous of Universal Audio’s Apollo Twin interface and audio DSP platform, times are about to change.įor those of you just joining us, Universal Audio’s box is special in that it’s a compact, accessibly-priced entry into the UAD line.
0 kommentar(er)
